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National Features >

Broward-Palm Beach New Times
The Agent from Iran
How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.
By Deirdra Funcheon
Westword
Murder By Design
In life and death, tattoo artist Kauri Tiyme made her mark.
By Alan Prendergast
Village Voice
My Brother the Slumlord
Amy Neustein never could resist going public with her family dramas.
By Elizabeth Dwoskin
Houston Press
The Ghosts of Galveston
A visit with the hurricane victims that a country forgot.
By John Nova Lomax

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Legends in the Hall

MoCA presents its permanent collection, with a twist.

By BILL FROGAMENI

Published on April 24, 2008 at 3:00am

There are weird myths, such as the story of Oedipus and his mum. And then there are extra-weird myths — like that yarn about Keith Richards getting his blood changed in Switzerland so he could kick heroin. But perhaps we’re always drawn to myths precisely because we can’t explain them, and in Richards’s case, probably wouldn’t want to anyway. If you haven’t had your fill of myth-making, head to the Museum of Contemporary Art at Goldman Warehouse (404 NW 26th St., Miami) to see “Pivot Points, Part 2: New Mythologies.”

Various pieces from MoCA’s permanent collection are on display, exploring self-mythologizing and storytelling through the artistry of Matthew Barney, Hernan Bas, José Bedia, Christian Holstad, and Ann Sofi-Sidén. Admission is free. Learn how to make your life larger-than by calling 305-573-5441 or visiting www.mocanomi.org.
Sat., April 26, 2008

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