Most Popular
Most popular tools brought to you by
Recent Blog Posts
Wed Jan 7, 5:00 PM
Wed Jan 7, 3:16 PM
Wed Jan 7, 2:00 PM
Wed Jan 7, 12:22 PM
Wed Jan 7, 12:28 PM
Wed Jan 7, 9:04 AM
Wed Jan 7, 4:00 PM
Wed Jan 7, 2:20 PM
Recent Articles
"Ever seen pig after pig being bled at a slaughterhouse? I can tell you knife hunting often pales in comparison."
"Just assume these local politicians are lying when they say anything."
"He has managed to buy the majority of his support with false promises of better lives for the population."
Power to the people.
"If the missiles had remained, we would have used them against the very heart of America, including New York."
No related articles found
National Features >
Broward-Palm Beach New Times
How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.
By Deirdra Funcheon
Westword
In life and death, tattoo artist Kauri Tiyme made her mark.
By Alan Prendergast
Village Voice
Amy Neustein never could resist going public with her family dramas.
By Elizabeth Dwoskin
Houston Press
A visit with the hurricane victims that a country forgot.
By John Nova Lomax
The Renaissance, Miami Style
Published on May 28, 2008 at 3:02am
It takes a nimble-fingered hand to master the complexities of the guitar, and it takes a local genius to handcraft a sound reflective of Miamis cultural rebirth. The University of Miami Gusman Concert Hall will reverberate with that kind of musical renaissance during Orchestra Miamis season finale at 8 p.m., when the talents of two well-respected musicians converge in one amazing new song.
Thrice-nominated Grammy composer and Miami native David Chesky has written a piece so layered in modern and classical complexity that only its intended artist, Angel Romero, could play it with such grace. During a show recapping the best of Orchestra Miamis tropi-classical fusion, the Spanish guitar maestro offers the North American premiere of Concerto for Guitar, a number that encompasses flamenco, jazz, and classical elements in a way that is both reminiscent of the guitars elder Iberian roots and its equally moody American reformation.
Sat., May 31, 2008